My Favorite Quote
I used to carry this in my wallet many years ago:
Vogue Knitting Magazine Editors: Vogue Knitting: The Ultimate Knitting Book
Billy Collins: Sailing Alone Around the Room: New and Selected Poems
Lawrence A Weinstein: Grammar for the Soul: Using Language for Personal Change
Greg Mortenson: Three Cups of Tea: One Man's Mission to Promote Peace . . . One School at a Time
Nando Parrado: Miracle in the Andes: 72 Days on the Mountain and My Long Trek Home
I used to carry this in my wallet many years ago:
A line (or two) from a wonderful poem titled "The Layers" by Stanley Kunitz:
A boy told me
if he roller-skated fast enough
his loneliness couldn't catch up to him,
the best reason I ever heard
for trying to be a champion.
What I wonder tonight
pedaling hard down King William Street
is if it translates to bicycles.
A victory! To leave your loneliness
panting behind you on some street corner
while you float free into a cloud of sudden azaleas,
pink petals that have never felt loneliness,
no matter how slowly they fell.
by Kate DiCamillo
Once, I was in New York,
in Central Park, and I saw
an old man in a black overcoat walking
a black dog. This was springtime
and the trees were still
bare and the sky was
gray and low and it began, suddenly,
to snow:
big fat flakes
that twirled and landed on the
black of the man's overcoat and
the black dog's fur. The dog
lifted his face and stared
up at the sky. The man looked
up, too. "Snow, Aldo," he said to the dog,
"snow." And he laughed.
The dog looked
at him and wagged his tail.
If I was in charge of making
snow globes, this is what I would put inside:
the old man in the black overcoat,
the black dog,
two friends with their faces turned up to the sky
as if they were receiving a blessing,
as if they were being blessed together
by something
as simple as snow
in March.
By Sharon Olds in The Gold Cell © Knopf.
Suddenly I thought of you
as a child in that house, the unlit rooms
and the hot fireplace with the man in front of it,
silent. You moved through the heavy air
in your physical beauty, a boy of seven,
helpless, smart, there were things the man
did near you, and he was your father,
the mold by which you were made. Down in the
cellar, the barrels of sweet apples,
picked at their peak from the tree, rotted and
rotted, and past the cellar door
the creek ran and ran, and something was
not given to you, or something was
taken from you that you were born with, so that
even at 30 and 40 you set the
oily medicine to your lips
every night, the poison to help you
drop down unconscious. I always thought the
point was what you did to us
as a grown man, but then I remembered that
child being formed in front of the fire, the
tiny bones inside his soul
twisted in greenstick fractures, the small
tendons that hold the heart in place
snapped. And what they did to you
you did not do to me. When I love you now,
I like to think I am giving my love
Directly to that boy in the fiery room,
As if it could reach him in time.
by William Stafford
"It's love," they say. You touch
the right one and a whole half of the universe
wakes up, a new half.
Some people never find
that half, or they neglect it or trade it
for money or success and it dies.
The faces of big dogs tell, over the years,
that size is a burden: you enjoy it for awhile
but then maintenance gets to you.
When I get old I think I'll keep, not a little
dog, but a serious dog,
for the casual, drop-in criminal —
My kind of dog, unimpressed by
dress or manner, just knowing
what's really there by the smell.
Your good dogs, some things that they hear
they don't really want you to know —
it's too grim or ethereal.
And sometimes when they look in the fire
they see time going on and someone alone,
but they don't say anything.
"Come, little leaves," said the wind one day,
"Come over the meadows with me and play.
Put on your dresses of red and gold;
For summer is gone, and the days grow cold."
Soon as the leaves heard the wind's loud call,
Down they came fluttering, one and all.
O'er the brown field then they danced and flew
Singing the soft little songs they knew.
Dancing and whirling, the little leaves went.
Winter had called them and they were content,
Soon, fast asleep in their earthy beds,
The snow lay a coverlet over their heads.
By George Cooper in Poems for the Very Young Child, 1932 Whitman Publishing Company
by Nancy Henry, from Our Lady of Let's All Sing
When things got hard
I used to drive and keep on driving—
once to North Carolina
once to Arizona—
I'm through with all that now, I hope.
The last time was years ago.
But oh, how I would drive
and keep on driving!
The universe around me
all well in my control;
anything I wanted on the radio,
the air blasting hot or cold;
sobbing as loudly as I cared to sob,
screaming as loudly as I needed to scream.
I would live on apples and black coffee,
shower at truck stops,
sleep curled up
in the cozy back seat I loved.
The last time, I left at 3 a.m.
By New York state,
I stopped screaming;
by Tulsa
I stopped sobbing;
by the time I pulled into Flagstaff
I was thinking
about the Canyon,
I was so empty.
Thinking about the canyon
I was.
I sat on the rim at dawn,
let all the colors fill me.
It was cold. I saw my breath
like steam from a soup pot.
I saw small fossils in the gravel.
I saw how much world there was
how much darkness
could be swept out
by the sun.
by David Ignatow, from Against the Evidence: Selected Poems 1934-1994.
When I die choose a star
and name it after me
that you may know
I have not abandoned
or forgotten you.
You were such a star to me,
following you through birth
and childhood, my hand
in your hand.
When I die
choose a star and name it
after me so that I may shine
down on you, until you join
me in darkness and silence
together.
In the hours between
midnight and 3 a.m.
I search for someone else's words
to hold my sorrow over a love, lost.
Regret, if only
Used up, spent. Bewilderment.
Bewilderment.
The moment between peace,
sleep peace and
the sudden memory of a
love, lost.